Isaac Joslin

“Yambo Ouologuem’s Le Devoir de violence in the Context of End-less Post-colonialism.” Critical African Studies. 14:2 (August 2020) pp. 171-180.

“Society and Spectacle: The Sublimation of Reality in Baroque Aesthetics.” Journal of Comparative Literature and Aesthetics. 43:2 (Autumn 2020) pp. 272-281.

“Crises algériennes et baroquisme dans Le serment des barbares de Boualem Sansal.” French Studies in Southern Africa. No. 50 (Autumn 2020), pp. 60-82.

“Futurité en francosphère: enjeux du fantastique et de la science-fiction.” Oeuvres & Critiques. XLIV : 2 (winter 2019), pp. 101-118.

“Aesthetics and Intertexts of Resistance and Liberation in the African Diaspora: Hip-hop and Créolité.” Journal of Comparative Literature and Aesthetics. 42:1 (spring 2019), 72-84.

“La poétique de Sony Labou Tansi: pour une écocritique équatoriale égalitaire.” Nouvelles Études Francophones33:1 (May 2018), 210-225.

“The New Francophonie: Teaching French from an African-Centered Perspective,” The French Review 88:4 (May 2015), 127-139.

“L’écriture de Ken Bugul : pour un ‘genre’ de roman cinématographique africain,” Nouvelles Études Francophones28:1 (printemps 2014), 162-175.

“Teaching about Africa through literature, film, and music,” African Literature Today Vol. 29 (November 2011), 101-110.

“Postcolonial Disruptions: Reading the Baroque in Calixthe Beyala’s Tu t’appelleras Tanga,” Contemporary French and Francophone Studies: Sites 14:5 (December 2010), 485-93.

“Baroque practices in postcolonial African literature and theory: from Achille Mbembe’s On the Postcolony,” International Journal of Francophone Studies 12:4 (December 2009), 639-54.

“The Modern City as Institution against Nature.” The Image of the City Conference Proceedings. Pueblo, CO: Society for the Interdisciplinary Study of Social Imagery, 2003. (268-273).